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Saturday
Feb202010

Why the Decline in Park Maintenance?

Article and photos by Lilly

Words cannot describe the passion I feel about how important the upkeep of all Disney Parks is to me. I write specifically about Disneyland and Walt Disney World.

Then

When I was young I used to walk around the Disney parks in complete amazement at how incredibly spotless the parks always were. No chipping paint, no gum on the ground, not even a candy wrapper could remain on the ground for more than a few seconds before it was whisked away by a smiling custodian.
When I went to high school my friends used to challenge me on this. They didnʼt believe the parks were as spick-and-span as I made them out to be. Finally, Disneyʼs Magic Music Days allowed me the chance to prove all of my friends wrong. I invited them to find chipping paint or trash anywhere. To their astonishment, I was right and I gloated about it the rest of the trip. I felt such a sense of pride, as if the parks were kind of mine
in way.
The most impressive instance I experienced was at Disneyland over the millennium. I remember looking around the parks on New Years Eve in astonishment and horror. The park was at capacity, tens of thousands of people were crammed into every corner of the park and they had trashed the place. After the countdown and fireworks, I saw that in order to get a closer spot to see the fireworks, the crowds had trampled every flower bed in the hub area. Garbage was everywhere: party hats, confetti, popcorn. Not only were the queues destroyed, but the rides themselves had trash and crap thrown everywhere. The mummy chamber in the Temple of the Forbidden Eye had confetti all over, I remember someone had thrown a box of popcorn all over a scene in one of the dark rides. Not only was the park trashed, but it was open until 3am that morning, leaving cast members a mere 6 hours to attempt to get that park looking half way decent before the park reopened at 9:00am the next morning.
 
I was one of the first to enter the park that day, January 1, 2000. Bright and early at 9:00am, cast members walked us to our favorite attractions. I was overwhelmed when I realized the park not only looked decent, it was sparkling as if the millennium had never happened. The floors were swept and mopped, the flower beds had been completely replanted, and not a kernel of popcorn or spec of confetti could be found anywhere. I
was literally in awe.
That was the last time I had that experience.

Now

Here are a few shots of what the parks look like now. These shots are from Disneyland, but I can assure you I have plenty from Walt Disney World as well.
You may wonder, what happened? How could a company go from being completely meticulous to seemingly careless? Well, the problem really isnʼt a terrible secret. The fact is, it all comes down to money, management and a change of culture.

 
Money

A well-tenured cast member once told me that they used to completely renovate each park every few years. The last time they did this several years ago, it costed them upwards of 5 million dollars to renovate the Magic Kingdom alone to the extent they had in previous years. Simply put, people high up in the ranks decided it was no longer cost effective to put that much money into the upkeep of the parks.

Management

This is a big one for me. The complete lack of a competent management staff has lead to more problems than just the lack of upkeep. I cannot count the amount of times I have seen cast members assigned to cleaning or maintenance lounging around, taking ridiculously long breaks, or even sleeping on the clock. Not only does management not seem to understand or teach structure and work ethic, but they lack positive reinforcement and encouragement as well. This can easily be seen in the faces of todays cast members.

Change of Culture

More than lack of management or the desire to fund renovation, the lack of culture is what truly prevails as the leading cause of this problem in my mind. I remember speaking with a maintenance cast member I held in high regard one day while walking around the parks before hours. He had been working for Disney 20 plus years and was heavily involved in several park openings around the world. He now worked Fantasyland and Tomorrowland. I had gotten comfortable enough with him that I felt I could truly share my disappointments along with my passion and drive to want to change things. He loved my passion about the parks and the company and had spent many hours explaining to me what features and abilities the attractions used to have
versus what they have now, how things worked, and what maintenance was required for all the attractions he worked on.
On this particular day I was feeling gutsy. I told him I had noticed that he and his coworkers spent so much time taking long brakes and slowly tinkering with things when they knew very well that the park wasnʼt running even close to the maintenance level it should be and I wondered what it would take to get this group of cast members to care again. His answer saddened me deeply. He told me there was a time when he felt as
passionately about the subject as I did. He said he used to come to work with excitement, joy and enthusiasm to work on these amazing attractions. He felt respected and knew how important his job was. However, the past few years had changed him. He told me there are only so many times you can turn to your superiors and tell them what needs to happen and where money needs to go before you realize your thoughts, opinions and years of experience are falling on deaf ears. Itʼs hard to care about something your superiors couldnʼt care less about. It hurt to care and after a while he couldnʼt care anymore. Few of his coworkers had worked there as long as he and the new ones picked up on the apathy quickly. So, it continues downward without anyone to stop this dismal cycle or the deterioration of my beloved parks.
Monday
Feb152010

Love, Hate, and John Lasseter

The theme park savior we've been waiting for?
Or is that impossible... even for Lasseter?


“The Next Walt Disney,”
a title attached to John Lasseter a few years ago, admittedly had me excited. No, I never for ten seconds thought he’d hold a candle to Uncle Walt, but compared to the other clowns trying to run Walt’s company, Lasseter appeared to be the theme park savior we geeks had been waiting for.

Among the many differences between Walt and John, one is more important than all others. Lasseter is a creative genius who is trying to fix what has already been done with the Disney parks. Walt Disney was a creative genius who did what had never been done. “Hold on. JL pioneered CG animation, something that had never been done.” Yes. He sure did. And he did a bang-up job. In the world of CG animation, he is king. Allow me to be clear on one thing: Two thumbs up for the accomplishments of Pixar and their brilliant leaders, including JL. We are talking about theme parks though.

Lasseter has, with help from Jobs, Catmull, and others, built what is quite possibly the only existing near-perfect creative environment… no thanks to the Eisner Disney Company. Can a similarly creative and successful environment be established at WDI? I have spent time at the Pixar Animation Studio. I walked the halls, seen their creative process, and mingled with talent. I was delightfully overwhelmed at the amount of talent oozing out of the place. I worked off-site on a few small Pixar marketing projects. I met with Lasseter both at Pixar and at the parks. We spoke of animatronics, animation, and even about his and my careers. His face lights up when you talk about Disneyland . He enjoys talking about the time he worked as a Disneyland custodian and Jungle Cruise Skipper. He couldn’t be more genuine and passionate about so many of these things.

The Pixar studio itself radiates a sense of passion. In the animation wing of the Pixar building, Disneyland memorabilia artfully clutter every hallway (along with other cool memorabilia). The big “D” from the old Disneyland sign on Harbor Blvd. is there. Props and themed offices are everywhere, including at least two offices with secret passages. A set of actual Chuck E. Cheese animatronic figures greet you around one corner. It is a wonderland second only to W.E.D of the 1960’s. One thing is for sure. The appreciation for Walt Disney’s legacy does not go unnoticed.

Photo from the Los Angeles Times


Lasseter’s office
(next to Steve Jobs’ simple-as-can-be office with one desk, two chairs, an iMac and notheing else) is a perfect reflection of everything he is passionate about. Looney Toons animation cells, stuffed Miyazaki animated characters, an original Sunday Peanuts comic strip signed and gifted to him by Schulz himself, original Lucas Films artwork, toys galore, Pixar stuff of course, and an impressive collection of old and new ViewMasters and slides. A collection of model trains on one wall and on another wall, a photo of JL with “Nine Old Men” famed animator, Ollie Johnston at the Disneyland Railroad tracks next to the full-sized train Ollie sold to JL. One thing really caught my eye. A stack of “Extinct Attractions” DVD documentaries. Hmmm. Clearly, no lack of love for what I consider the right way to run a Disney theme park.

A return to the old-school? Jim Hill Media reported a couple years ago that Lasseter wanted to fix Journey Into Imagination. Journey was one of the documentaries in his office. He was reported to have wanted Western River Expedition to be built at Hong Kong Disneyland, DCA or elsewhere. After reading this I mentioned it to Marty Sklar. Marty hadn’t a clue that Lasseter ever mentioned such a thing. He said “I highly doubt that would ever happen. That thing is too expensive.” That thing? I got the impression that Marty wasn’t on-board for any more glorious animatronic-filled attractions. He also mentioned, “Mickey Mouse Review was boring.” Oh and he too threw in the “they say John Lasseter is the next Walt Disney” line while we were conversing.

I lose no sleep at night pondering the future of Pixar Animation. It’s exactly where it should be and I love it. I do however fear the path Disney theme parks are on.

Questions. Are the Sklars of the Disney Company the ones who are holding Lasseter back? Is it the notion that today people won’t respond to how things used to be done? Is the (false) doctrine of “Pixar is the only thing that sells” the only thing driving new development? Has Lasseter bought into the idea that more and more Pixar attractions need to fill the parks because no other Disney-related entertainment has been successful lately? Are Lasseter’s theme park tastes influenced too heavily by his involvement with Pixar animation? Are we to settle for Pixar-based attractions that slightly resemble classic rides?

One concept pitched and green-lit was the idea of a hub-cap flying saucer attraction for the new DCA Cars Land. The Imagineers said they were excited to see what JL had to say about a ride inspired by an old-school Tomorrowland attraction. He was impressed.

To be fair, a lot of the ($1.1 billion+) DCA improvements are not Pixar-based. JL is championing the effort to bring more heart, soul, and emotional impact to the life-lacking park. Thank you for that.

Answers (according to me): In a nut shell, the current philosophies of Disney management prevent Lasseter from doing certain things he’d love to do. When two ideas are presented- one that completely appeals to nerds like you and me (fixing Journey, Western River Expedition, etc.), and one based on something that recently made $800,000,000 at the box office- you can guess which will win.

So here we have it. John Lasseter loves good-quality Disney. He also likes Pixar stuff in the parks. He also has bosses who like to say “no”. He also is spread like too little butter over too much toast. He also has a wreck of an animation studio (Walt Disney Animation) to fix and a thriving animation studio (Pixar) to help maintain.

So love, hate, and John Lasseter… Love his passion. Love his successes in the CG animated industry. Love his potential to positively influence what I hope can be a new generation of Imagineering. But by golly, I hate singing fish and joke-cracking monsters in Tomorrowland. Hate Woody dancin’ around the Diamond Horseshoe Saloon, or even worse, Woody and pals (and any other character for that matter) in “it’s a small world”. And I will hate to be an old man at a Disneyland that doesn’t resemble the Disneyland I knew as a young child.

Tuesday
Feb092010

Fantasyland Expansion Model.

CLICK TO ENLARGE 
I love to look at scale models, especially ones of theme parks.  I made scale models for a living for a couple years and ever since I can't pass up a chance to study a good model.

What do I think of the new Magic Kingdom Fantasyland expansion, you ask?  Mixed feelings.  

In a nutshell:  I'd rather have 20,000 Leagues Under the Sea still in this space, no doubt about it.  I am thrilled they are ripping out Mickey's Toontown Fair (a pathetic excuse for a land). I am not thrilled with the emphasis on character meet-and-greets.  I do like the idea of an omni-mover Little Mermaid ride (believe it or not).  I do not like the idea of a Dumbo interactive area, simply for the fact that Disney has not a great job with anything interactive since Communicore (opened in 1982) -and- it doesn't seem to fit Fantasyland well.  Two Dumbos... that's pretty cool.  I do like the extensive 'theming' as most people would call it.  The design is pretty.  The stories are separated.  Anyone who reads this blog knows that character cross-overs the bain of my existence.  Thank you, Imagineering/Entertainment for not making a "Princess House" or some junk like that where they all hang out together.  Thank you for that.

More thoughts to come, but for now, a cool-looking scale model to look at.  A couple of other (even greater) models to look at here.

 

Related post: Matterhorn For Magic Kingdom